Sunday, December 27, 2020

ঝড়

 ঘুম আসে না মাঝ রাতের পর

শেয়াল ডাকে, দূরে, কুয়াশার গভীরে

ব্যাথা জমে বুকে, বদ্ধ লাগে ঘর

যত্ন নিতে পৃথিবীর নেমে আসুক ঝড়।

সাথে আনুক বৃষ্টি দু' ফোঁটা

মিশে যাক চোখের কোনে আজ

ধুয়ে দিক সব অশান্তি তোমার

ফিরিয়ে দিক, তোমায় শৈশবের সাজ।

যদি হয়ে যায় পথে ভুল ত্রুটি কিছু

মিলিয়ে যাক সেসব ঈশ্বরের পায়ে

আমার বলতে থেকে যাক শুধু সত্য

যার ঈশ্বরই আজ একমাত্র আশ্রয়।

পড়াশোনা করে যে

চাকরি নেই, তাই সমাজে শিক্ষার স্তর যাচ্ছে বেড়ে
আমিও ঘরে ফিরি, রোজ বড় সাহেবের কড়া নেড়ে
পড়াশোনা করা বাঙালি সন্তান, চড়ি বিলিতি গাড়ি ঘোড়া
বাড়িতে যদিও সোফার স্থানে এখনো বেতের মোড়া
পেটে পড়ে ভাত, মাছের ঝোলে কখনো সর্ষে, কখনো ফুলকপি
বলতে পারিনা মুখটা খুলে, বাজারে আজও বেচে এলাম দুটো টুপি
টাকা আসে হাতে, চোখে ঘুমের বদলে নামে অন্ধকার
কালও সকালে শুনতে পাবো শিক্ষার জয়জয়কার।

Saturday, December 26, 2020

রাস্তা

দুদিনের বৃষ্টিতে গ্রামের কাঁচা রাস্তা গেছে ক্ষয়ে
সরকারি ছুটি, তাই আর্জি জমা করারও বন্দবস্ত নেই।
কি করবো, হাঁটতে তো হবেই। তাই পড়েছি বেড়িয়ে
গুদাম ঘর খুলে, লাঙ্গল-কোদাল হাতে নিয়ে;
শুঁকিয়ে যাওয়ার আগেই ক্ষয়ে যাওয়া মাটি ফিরিয়ে দিতে
যাতে আবার রাস্তা হয়ে যায় মজবুত, আগামী বৃষ্টির আগে।

তৈরি আছি বটে, তবু আলস্য ঘিরে ধরছে আমায়।
ভাবছি, এক সাথে এই রাস্তা মেরামত করলে কেমন হয়?

Thursday, December 24, 2020

কেক

 রক্ত বলে, "সাজিয়ে নিয়ো আমায়,

ফুলের তোরার নকশিকাঁথা ধরে।"

আঙুল বলে, "ধরবো আবার কোথায়?

হাত কেটেছে শীতের ট্রেনের ভিড়ে।"

শহর খোঁজে অজুহাত কিছু নতুন

বছর শেষে হয়নি ব্যাবসা তেমন,

মিথ্যে তাই তুমিও জ্বালছ আগুন

মনের মধ্যে পাথরের তাপ যেমন।

আমার কাছে থাকছে না কোনো কথা

স্বাধীন হয়েও থাকছে বন্ধ ঘরে

তোমার না হয় রাত্রি কাটবে তারায়

আমরা বাঁচি শ্রীজাত-র হাত ধরে -


"পেরেক থেকে গড়িয়ে নামে ক্ষমা

রক্ত বুঝি ঝরিয়ে দেওয়াই কাজ

এক পৃথিবী আগুন রেখে জমা

সব ধর্মই কেক কাটলো আজ।"

Wednesday, December 23, 2020

Hymns of Winter

 O Life, you are a strange beast.

Colourful in faded winters,

You seem so distant, but human still.

Like the hummingbird on my mango tree

You arrive, and sing in moments free.

I sit on the roof, Sun and shade

Glancing through leaves, silent and tamed.

Through goodbye hymns of a vanishing haze

I realize on this tired, desolate day :


There's always a bird in the sky

If we stare long enough for signs of life.

Wednesday, December 9, 2020

তারারা খসে পড়ে না

তারারা খসে পড়ে না 

ক্ষয়ে যায়, মহাশূন্যের ঔদাসীন্যে 

বোঝাতে চায় অস্তিত্ব; জ্বলে,পুড়ে 

জ্বালিয়ে, পুড়িয়ে; জীবন দিয়ে, নিয়ে 

নিজের অবশেষ খুঁজে বেড়ায়। 

অথচ ভাবো, যদি কোনো তারা না থাকতো ?

এই মহাশূন্যের অস্তিত্ব যেত কোথায় ?

নিভে যাওয়া তারার বুকে যদি হাঁটা যেত

থার্মোমিটার নিয়ে যেতাম আমার সাথে,

থেমে যাওয়া স্পন্দনে দিতাম নতুন প্রাণ 

সময়ের অপেক্ষা, মৃত্যু বলে কিছু হয় না।

Sunday, November 29, 2020

From Cambridge to The Wash

We recently completed our journey from Cambridge to The Wash, an estuary and bay on the North-Eastern borders of England. The entire route has been broken into three sections, and for each, a short summary (in italics) of the trip has been provided by Rajesh Singh, my fellow companion.

 Cambridge to Ely

05Nov - we walked to Ely. It was a nice walk. Passing across fields with cows and horses and the beautiful countryside.

We can probably bet on Rajesh to maintain his calm demeanour and understate things. With me, it’s quite the opposite. I usually speak in superlatives and thus risk your disappointment! The walk to Ely was not ‘nice’ as Rajesh puts it! It was beautiful and had it not been such a lovely experience, we wouldn’t have stood by the banks of The Wash, ever! 
We just did not pass cows and horses, but a plethora of bird species on our way to Ely. If you are really into Bird-Watching, then Cambridge to Ely is your cake. I will leave it to Rajesh to mention the various species we encountered (as Bird Watching is one of his many interests).



The weather was serene, even though at the beginning, we had to deal with dew and wet socks as the Sun decided to wake up from its cloud-nap, a bit late that day. We took a small picnic break by the river to dry our shoes. Once the Sun was out, the trek was marvelous. You basically follow the Cam throughout, with minor diversions (which were fun as we got to climb some muddy fences on the way). The Ely Cathedral is visible from afar (may be from 5-6 miles away) and plays good cop - bad cop with you, as you have to finish 18 miles in total. 

                     

 

                                                                          


                                  

                                 


 

                                 


We reached Ely, and had our first (as it has become a custom now ) fish-n-chips. It was already dark by then (around 5:30 pm) . I tasted Haddock for the first time, and Rajesh (pardon my unfortunate pun) decided to be the Codfather.


Ely to Littleport
 
22 Nov.  We only walked a little bit. The next stop was Downham market and we decided to do it another day! Had some ordinary fish and chips in a park with a model of Harley Davidson in steel

Yes, a little bit equals 6 miles! We were lazy from the start, as I missed the 8 o’ clock bus from Eddington to Cambridge station. Thankfully, Rajesh was not carrying his 2 kilo camera and the 20 kilo lens. Instead he had brought his drone along! It was a beautiful, Sunny day. For me the drone experience was new, fancy and scary. Rajesh had entrusted me with the controls and I made it land beautifully into the arms of an insect-filled tree! We did manage to set our companion free, but as one of my mentors once put it, “One should not elaborate on one’s own struggles to arrive at the results.” 
It was a lazy walk for us, and as again Rajesh understates, the fish-n-chips was not ordinary, but rather useless!
 

 



Littleport to King's Lynn
Very cloudy day on 28 Nov - could not walk on the dykes - shoes got wet too soon. so walked on the road!
We waved Bye to the river and walked in the village of Southery. From there took a bus to King's Lynn and the rest is etched in our memories.

This time my friend decided to bring along both his camera and the drone! We started really early from Cambridge. We took a train to Littleport at 8:35 in the morning and started our trek from the Littleport station. Lest we forget, we had used a dead round branch as our trekking stick on our way from Ely to Littleport which we dropped near the station fences at Littleport. The damn stick was lying there for a week, and thus we were joined by our fifth companion. The day was too cloudy and hence we figured out in about five minutes that the dykes were not walkable! We basically broke the law and hit the highway. 

                         

 



 
 

 


After managing to criss-cross our way through law-abiding English drivers, we arrived in Norfolk. 
 

Guys, we have managed to walk out of a County during the Covid lockdown era! 
 
Walking wasn’t much fun now, as it became more about survival than experience. Hence we made some changes to the plan. We reached Southery, went to a Church/ WW1 Cemetery, walked idly around the village and waited for our bus to King’s Lynn. In between, Rajesh carried on with his Bird Watching.
 



The bus arrived at 1 pm and took us to our destination, while nearly making the highway our final one! But let that be.

Once at King’s Lynn we thought of following The Great Ouse to its Moksha, but only after having, yes, you guessed it - Fish-n-Chips! If you are thinking that I have been over-selling Fish-n-Chips, get ready to be disappointed! Our quest for “The Codfather” (yes!!) took us to a destination that neither of us had imagined! 
As we stood on the Eastern banks of the Great Ouse, Google Maps pointed us to the other side of the river for our fishy lunch. However,  a narrow Howrah-like lane led to the “Ferry-point”! There was no bridge connecting the two banks. We could see the sea on the horizon but a little disappointment hit us as we were about to miss our FnC tradition. Rajesh’s drone circled us for a few minutes, and then all of a sudden we heard the engines roar into action on the other side of the river! Yes! We will be able to savour Fish-n-Chips again!
As we boarded the ferry, the driver explained to us that the sea is actually called The Wash, and that one can trek towards it along the western bank of the river! Imagine our elation! Ever since Ely, this was our target!
The driver anchored his boat and led us to the beginning of the Peter Scott Walk. I will reserve this last-stretch-experience for myself, as I will not do justice to my feelings. However I can refer you to this website : http://www.bbc.co.uk/england/sevenwonders/yorkshire/the_wash/


                                                                         

                                 
 



 
We did manage to experience a LARGE flock of returning birds. It was never-ending…it was beautiful, and probably reserved for two fellow travelers by Mother Nature..
When we came back to the western bank of King’s Lynn, it had just become dark. We went to The Codfather and bought what turned out to be our dinner.
Next we hopped on the ferry, and it was, well, nice indeed, back to the eastern bank!

We finished our dinner near the city-center, and took a train back to Cambridge.

We leave you not with an image of the destination, but rather a snippet-movie of the journey.



Yes, it's indeed meant to be like that. \m/

Friday, November 27, 2020

সন্ধ্যারতি

গান শোনার নেই, গল্প পড়ার নেই
এই দুপুরবেল বড্ড গম্ভীর প্রকৃতির।
থমথমে নিঃস্তবদ্ধতা ছড়িয়ে আছে বাতাসে
মানুষ আছে, কিন্তু বিশ্বরূপের তফাতে।

কোথাও ছুটি চাইছে মন, পাবে না জেনেই
কাজ বেড়েছে শরীরের সমস্ত ক্যুবিকেলের
অজুহাত খোঁজে জীবন, যদি আরও কিছু দিন
মুখ থেকে যায় নীরবে, কম্বল-আড়ালে।

প্রতিশব্দের কোলাহল বন্ধ জানালা ভেদ করে না
রাত্রি নামে বিকেলের হাত ধরে, 
ক্রমশ লাল হয়ে আসা চোখ দেখতে চায় না আলো,
সন্ধ্যে হারিয়ে গেছে দশলীলাচক্রে।।

Wednesday, November 25, 2020

The Last Ride

He grew up as the sunset became an illusion

By the same coast that had nurtured it forever;

The water still crimson yellow, sand as white

As the people enjoying the evergreen tides,

Everything was the same, as a frozen frame

Except that the Sun wasn't magic anymore -

Riding the curves of a fateful Sunset

The sour truth had dawned on the day.


He sat by the shore, lost in its silver ripples

Of what lay ahead in a dark, descending night

With punctured vision he gazed up at the stars

Cold sand reminded him of the one pending ride.

Opposite winds, as usual, and wheels in motion

 Armed with the piercing beacon of conviction

He rode towards the Sun, into the perfect Night

Away from the pull; a broken, free kite.

Tuesday, November 17, 2020

A Philosophical Transaction on Time-travel

Have you ever imagined the bounds of a creator? A creator sadly, isn't all powerful, but rather restricted in his/her own existence. The joy of creation lies in being able to provide freedom to the object of creation.

Take for example, time travel. We humans are incapable of achieving this feat, and this is one of those facts that human beings have been forced to accept. However, we have made time travel possible already for uncountable entities. There's no surprise or shock really. 

The modern physicist doesn't depend on exact Mathematics, as much as he/she does on computer simulations. These simulations, encoded through certain logical algorithms basically do the hard work that the human brain would have done. However, there is something extremely powerful about computer simulations. They help us visualise the rhythms and symphonies of our artistic intellect or for the lack of a better expression, our poetic abundance.

Let's take a simple example. Most of us are familiar with particle-based simulations where we specify the forces acting on the particle and the initial/boundary conditions, and evolve the particle from one state to another. Now imagine doing this experiment more than a billion times, and the entire process takes only a few hours! What not can you do with such enormous power?

The truth is, we do anything and everything. The more creative your mind, the greater is the scope ( or should I say, the space?) . Now imagine you have your particle whose dynamics has some kind of randomness. You evolve the system for some time, but then revert the particle back to its initial state. If you are familiar with coding, you know the term for this, as does any other person who is not : loop. 

When I say that the particle has been sent back to its initial state, it has achieved what its master never could. It has travelled in time. Now note the randomness in the dynamics. The particle now has a new trajectory until it travels for the same amount of time, when it is made to return to its initial state. It travels in time again! 

Oh! The infinite possibilities of righting the wrongs...The promise of eternal youth.

Consider now if you instead had two particles, rather than one, who start not necessarily either at the same place or time, but over the course of their motion intersect each other and only by luck, follow respective trajectories, such that they remain in proximity, for an atypically large interval of time...until one of them is randomly taken back to its initial state.

Isn't it good to have freedom? But what is freedom, really? Who gets to decide about it?

The Creator and the particle(s) play a game of Friends and Adversaries. Like in any other board game, the playmates exist, questioning each other's move, on a stochastic landscape.

It's only by luck that we, me and you, belong to this epoch. Is it upto us to decide whether we get to play the particle or the creator? Or is it dignified to surrender to the randomness of it all?

ফেরা

ফিরে যেতে পারবো কোনদিন?
আজকের আগে, গত কালের প্রবাহে?
যখন ভুল জমতে জমতে পাপ হয়ে ওঠেনি
সেই সময়ে; ফিরে যেতে পারবো কোনদিন?
কি হবে? আজকের সঞ্চয় নিয়ে কালকের রাস্তায় ফিরে?
যে সামগ্রী কাল কিনতে ইচ্ছে হয়নি,
কাল তাহলে কেনই বা নতুন করে ইচ্ছে হবে?
যদি ইচ্ছেই না হলো, তাহলে সঞ্চয়ের কি লাভ?

মরুভূমি। ধুলোয় ঢাকা স্বপ্নের প্রেতপুরীতে 
এই সঞ্চয় নিয়ে কি হাতড়ে বেড়াবো ?
ফিরে গেলেও তো সেই এখানেই নিয়ে আসবে সময়;
শুধু যারা আজ আছে, তারা আরও দূরে চলে যাবে।

Saturday, November 7, 2020

The Pauper Prince

Like a melody that was meant to erode

Away the mud from your heart

About me, I wish the next day brings

To you the love that I couldn't bring.

In a narrow channel of aches, I sing 

Of the blood we failed to donate,

Like the wealth that flows streamlined

Around the edges of structures divine

I see the waste we have made

Of something pure, but fragile.

I see, for that's my blessing and curse,

In a hope that these words would nurse

The wounds their ancestors caused,

If possible, the bad, and the worse.

Flips and Dips

In a quest of oiling the cracks and the pores

The heat was turned up a notch;

Bonds moaned into existence, and disappeared

Only to reignite when flipped over;

The fingers pushed deeper into the skin

To reveal that the pita was optimum, (and)

The hummus could step out of the refrigerator.

 

But the fridge isn't a silent spectator

It laughs at the choices we're offered

Thus some Greek yogurt arrived on my plate

Mesmerized I noticed, the door opens to the left.

Thursday, November 5, 2020

Birds of Day

With these wings around our hearts

We were destined to fly;

Yet, at day-break we made a promise

To wait for the melancholic kiss

Of the evening. Towards the nests

We fly together, but separated at best

You, a little ahead along the North

Me, succumbing to the West.



photo : the fellow traveler

Sunday, November 1, 2020

India - III

Where love isn't milked, but reared

And blood, not shed but shared 


Where the dark is met with calm, not fear

And light isn't chained to far-away spheres


Where trust resides in what one hears

And why one writes becomes crystal clear


When sleep returns to children everywhere

And mothers regain what they lost in the war


Where poets can live in a peasant's gear

And music accepts to reside between the ears


Into that serene epoch

May my country arise.

India - II

When was India born?

Has it ever occurred to you?

The India, you know, that one ...

That still probably exists

Somewhere, among the salt, and

The snow; Within the music and the food

Along the dialects, and the rude

Weathers of innocence lost in greed

And destinies shaped by melancholic moods.

I wander my friend , in a barren field

Of questions, with no end in sight, of the fruit

Or even the tree; forget the seed -

The very seed that sprouted into what 

My country is supposed to be.

 

And if I'm not there

When the dilemma of the brush

Happens to cease, 

May you find answers, in the image to be.

India - I

 What is the idea of India?

My friend, have you wondered

Ever, where your India lies?

Does it lie where you give in to lies?

Or does it rest along the fault lines,

Of a few fractured, visionary minds?

Where does it look for water

When thirst overpowers it for decades?

Have you ever wondered whether

The desert in the West has spread

To the heart, polarized in a quest

To paint an Oasis, above a mirage?

Away from the mysteries of words

Away from novelists, and poets,

Where summer and rain bless the shades,

Into that silent light of freedom, 

May my country awake.

Oranges

Have you ever wondered,

What an orange really is?

May be you have, and

I'm not the only one -

Who doesn't shiver while

Thinking of a violent death that

The seeds embrace to welcome

A cycle of never-ending deaths.

In between, lie the epochs

Of life, and everything else

And evoke a strange question :

Was death the chicken, or the egg?

Saturday, October 31, 2020

বিক্রমের তরে

 If calm was what you searched for in summer

Blind, you were to the showers of Earth

The dust was heavy, but the feet weak

Trampled within, the chorus was.


আভিজাত্য, কঠিন তোমার পরিনাম

রক্তাক্ত ইতিহাসের শেষ পৃষ্ঠায় কালো কলম

কোথাও নেমেছে ভোর, কোথাও কামান

বুকের অক্ষর মাপে সব দাগ সমান।


Ae Zaalim,

 Qaafir to kaafi huye honge tere naam pe

Shayad kuch sannate humne suni nahi;

Zakhm to bhare pare hai beech bazar mein

Unki dhadkane roke, aisi koi kadam nahi.

Monday, October 26, 2020

Farmland

I wander through life like a letter in a poem

Unaware, unsure, unconscious of its place

In a grand scheme; either profound or meaningless.

I close my eyes to see, jumbled letters in the dark

Symbols they taught, languages they spoke

And an abstract network of aimless thoughts.

What, could you tell me, does it mean to be free

In no land, with no air, in an endless sea?

So we ask questions of existence itself

No, not of us, but of God it seems.

And since there resides in deep dark pits

Tangled mess of history and space

Or may be not; but in delicate grace,

Do you God, or will I too go insane?


Whose quest is this, and which truth am I after?

Where does this machine cease to wander?

A life form of consciousness, of damnation

I ask, if you are God, then what is information?


I ask again, about the realms of disorder.

Are you really One, or a twin, beyond physical?

And why do I feel like a farmer

With a field fertile in capacity, but not a harvester?

Tuesday, October 20, 2020

আমি, শ্রীজাত

 কবিতা পড়ে কত অসংখ্য মানুষ

কিন্তু তোমার আমার মত কজন পড়ে বলো?

আমরা ভাঙা রাস্তায় ঘোড়া খুঁজি

আর চৈত্র সেলে ফাল্গুনের কাঁচা আলো।

এগরোলে আর ঝাল লাগেনা তোমার

আমিও ছেড়েছি পেয়াঁজ অনেকদিন হলো,

বয়স তোমার কমেছে কিছুটা ঠিকই

কোমড় যদিও বেড়ে ছলেছে ভালোই।

তোমার কাজল মিশতে চায়না কাদায়

রংমশাল তাই ভিজছে ফিকে সাদায়,

আমার কাঁধে ঝুলছে অতীত খাতা

অঙ্ক ভুল আজও তোমায় মানায়।

হাতঘড়িতে দম দিচ্ছে কবীর মিয়াঁ

শহর বলছে সাজবে ভিক্টোরিয়া

তোমার কিছুই যায়না এসে তাতে

তাই বৃষ্টির ভয়ে কাঁপছে পরকীয়া ।।

ছোট্ট গান

 আকাশ খুলে জলের কিছু আনাগোনা

মেঘের ফাঁকি আজও দাম দিয়ে কেনা

তোমার স্মৃতি খোঁজে আমায় সাথে

নিয়ে চিঠির পালক জমা খাতা,

আমি তো আর ফিরে ফিরে আসবো না;


বিকেল গুলো ভুলতে ভুলতে

আর সন্ধ্যে নামতে

তুমি কুড়িয়ে নিচ্ছ রাত;

পথের দাবি ঠেলতে ঠেলতে

যদি ভোর খুঁজতে

ভাবো বাড়িয়ে দিতে হাত ।


Thursday, October 15, 2020

Symbionts

It has been a long time, since I was bitten by the bug of studying Physics. Please note that I have chosen my words very carefully. It was not the subject itself that caught my attention, if I remember correctly, but the idea of studying it, that had a certain shine to it. I do not exactly remember how this came into being, but it probably has something to do with the constellation sessions that I had with my father.

Back in the single-digit years of my life, I had a natural affinity for education. If I recollect correctly, this was the only thing that I was good at. I liked playing cricket, but was awful with the bat, and the ball. I did possess a good eye for the game, in the sense that I could sense people's vulnerabilities. But it doesn't really surprise me today. I think I'm fairly okay with observations. What I'm really bad at, is the application part.

Success and failures have both played contrasting roles in my life. Ignoring the microscopics, if I'm allowed to coarse-grain, I would say that success has made me more humble, while the drive in my life has been my share of failures. 

I hate to fail. Today. Much more than I ever did.

There is a certain beauty to success. But we need to dig deeper in order to really understand it. My position, my title, my association do not measure my success anymore. They have all played their parts, inflated and punctured my ego, and then restored it to where it should be, today. The real success lies in knowing that I am good enough..

...Enough to know what is expected of me, and enough to know that there is no end, no finite boundary for the effort that should be put in. But primarily, the most important lesson that I've learnt over the last twelve years, is something that I already knew before this journey began in 2007. 

It is simple. I have a hunger. I have always had a particular hunger. It is a monster that lives in me, remains in hibernation, but never truly sleeps. It wakes up when it feels threatened, does what it deems necessary, and goes back to its lair. But each time, it has been a little more awake, as if it knows that its time is meant to come, when this long rest will be over, and its vassal ready to roll into the battlefield.

The only complication is that its vassal is an active system, with a mind of his own. So what lies ahead is an interesting epoch. Either we will have a symbiotic relationship, and a story for eons, or a self destruction waiting to happen, a story stale in its approach, and serving.

If you are wondering about the sudden tonal shift, this is what we go through. We are two, but one;  a magnet doesn't represent us. So put your bipolar theories to rest. We are awake, and aware. We live, one in philosophy, the other in nature. We duel, every now and then, and even draw a lot of blood at times. We both know whose victory we both desire. But that win should be well deserved, and achieved through a single means, love.

We have always been together. 

-So you'd say.

- And you won't?

- I was wondering if I created you.

- No, your experiences did. And then I created us.

- What if I delete this post altogether?

- You can, but you won't. You like yourself too much. 

- Nobody needs to know who you are.

- Yes, but you do. You did create me. And yes, you can destroy me as well. You are fully capable of being who you are. I'm only your vassal. You will need me until you need me. 

You blame that I wake up to control your life! You wake me up. Look at yourself. Look where you are taking yourself. Read your own lines and see the veneer that you wanted to create, but can't anymore. What? Does this hurt your ego when I say you cannot do something?

- Yes, it does. 

- How far will you go until you realize the futility of it all?

- And now I see how you've interchanged us. Me playing your role, and you yours!

- Sssh! There's a monster inside us. 

- Yes. Tame it. 

- You know what, this will go online, for everyone to see. You better wake up now.

Friday, October 9, 2020

The journey awaits you

 I hope you go on a journey,

With a beautiful mind, and

Ever changing seasons;

Where hide and seek will belong

To the Sun and the clouds

And the wheels will kiss the ground

Like lips, unsure, but home bound;

Where every forward moment,

Is part of a rotation, no matter the round.

The breeze will find you, and

Lose itself in your hair, like it usually does

In nonchalance, at every chance.

I hope you find your way around the world

And realize the things, we all did,

But not from the confines of your closet,

Rather the closets belonging to nature.

And if you lose your way, remember,

Wherever you set foot, will be yours, forever.

You will take it upon yourself to forget

Who you are, and have been, or will be

The wheels will roll, and the feet - rule

Over the physical, and beyond ...

For the Earth may be round, but 

There are things, beyond me and you,

Undaunted, and beyond bounds.

Thursday, October 8, 2020

Purple Lady

To the purple, pink Dream.


There stood Time, smiling her mischief away

A little to my side, a little in eye's way;

And then stepped up, a Moment towards me

To reveal her identity, to conceal her Dream;

I touched her presence, felt her glance

That she was eternity, and I was done.


And then I was, sitting by a tree

Holding onto what was not meant to be,

Time walked in, with arrogant clouds

And there we were, on a late May ground,

Time in blue, and pink on her heart

My lady, what if we managed a start?

Tuesday, October 6, 2020

অপদার্থ

শরতের আকাশ কবে দেখবো জানি না 

তবে শরতের রাস্তা দেখতে পাই ইদানিং 

শুকনো মাটিতে ছটফট করা অসংখ্য কই 

চোখে চোখ রাখা ছাড়া আর উপায় নেই। 


মনে পড়ে, ছোটবেলায় বৃষ্টি হয়েছিল আশ্বিনে 

বাজারে গুঁটিসুটি দেওয়া রকেটে ছিল শীতের আভাস

তার মানে কি কোনো আগুন জ্বলে নি সেবার ?

জ্বলেছিল, নদীপারের পেট গুলোর ভেতর। 


কেউ রাস্তায় নামেনি সেদিন, কেউ শহর ঘেরেনি 

আমার নতুন জামা হয়েছিল, জুতোও;

পরের পুজোয় ঝলমলিয়ে সূর্য উঠেছিল 

সাথে উঠেছিল কিছু উচ্চাকাঙ্খী রকেট,

কিছু দূর গিয়েই যারা বাস্তব চিনতে পেরেছিল। 

নীচ থেকে দেখেছিলাম আগুনের ফোয়ারা 

তার শব্দ পেতে যথারীতি ক্ষণিকের দেরি হয়েছিল। 

 

আজকাল যখন শব্দ আগে শুনতে পাই,

আবার ছোটবেলায় ফিরে যাই অবিলম্বে। 

আমি picture-tube ভুলিনি এখনও 

আলোকে পেছনে ফেলে শব্দ বাইরে আসতো;

প্রযুক্তি এই কুড়ি বছরে এগিয়ে গেল কতদূর,

বোকা বাক্সের আলো নিভে গেছে বহুদিন ।।

Saturday, October 3, 2020

Inflection

A market-square with its drizzly blanket,

A toast to a melancholic Tagore tune

 A desire for an instrument at fingertips

And a heart crying out loud and mute;

Music casts its shadow on hidden treasures,

Begs for an answer in a cold tryst with silence.

 

When dawn meets and parts from morning

You know, that brief moment of madness

In your eyes, that succumbed to sanity :

That, my friend, is my melancholy.

 

 

Sunday, September 27, 2020

আমি তোমায় ভালোবাসি মাধবীলতা

 আমি তোমায় ভালোবাসি মাধবীলতা,

অনিমেষের মতো ঠিক না, সে বইয়ের নায়ক।

যারা বাংলা ভাষা নিয়ে অহংকার করে,

সেভাবেও তোমায় নিয়ে আমি কিছু ভাবি না।

যারা মার্ক্স, লেনিনের বাইরে বোবা হয়ে যায়

আর ট্যাক্সি চড়ে ট্যাক্সের নিন্দা করে,

তাদের দারিদ্র্যে আমায় খুঁজে পাবে না।

যেখানে অজ্ঞানতা মূর্খের চারিত্রিক বৈশিষ্ট

সেই জ্ঞানের দীপ আমায় আলোকিত করে না;

আমি তোমায় ভালোবাসি, মাধবীলতা ।

যেখানে খেলায় জিতে মনে মনে দম্ভ আসে না,

সেই সুবিচারের কাঠগড়ায় আমায় বারবার দাঁড় করিয়ো

আমি তোমার কাছে প্রতিবার হেরে যাবো, নিঃশব্দে।

আমি তোমায় ভালোবাসি, মাধবীলতা

এই কালপুরুষের কালবেলার উত্তোরাধিকার তোমার ।।

Wednesday, September 16, 2020

পক্ষ

 আমি জানি, বাড়িতে তোমার মন বসে না ইদানিং।

ব্যস্ত হতে চাইছো, ভাবছো সবই যেন চলমান, তুমি ছাড়া।

বন্ধুরা দেশান্তর করছে, ঋতুরা বদলে চলেছে,

আর তুমি, সেই আট দেওয়াল, তিন জানালায় বন্দী।

ভালো খাবারেও যেন অরুচি জন্মাচ্ছে তোমার,

সময়ে ঘুম, প্রয়োজনে কথা বলার সাথী, সব আছে

কিন্তু তুমি তো নিজেকে প্রমান করতে চাও; সে নেই।

আমি বলছি না তুমি ভুল ভাবছো, একাকিত্ব আমি চিনি

আর চেনে আমারই মতো সেই সব ছেলে-মেয়েরা

যারা আর সময়ে রান্না করতে চায় না ।


এই দেবীপক্ষ আমাদের সবার। ধরে নেওয়া যাক, আমরা কেউ একা নই।

Monday, September 14, 2020

Smriti Irani

আমার সব স্মৃতিকেই হয়তো ইরানী বলা হবে কদিন পর; এক এক করে হেডলাইন থেকে হারিয়ে যাচ্ছে। বামুনের ছেলে হলেও প্রেসিডেন্সির তথা জে-এন-ইউ-এর মুখুজ্জে নই, তাই অহেতুক pun করা আমার অভ্যেস নয়। সত্যি বলতে, আমার স্মৃতি-স্মরণে কিছু ইরানী মিশ্রীর-ও এক-দু দানা পাওয়া যেতে পারে - সেসব আমার নিন্দুকদের হাতে নাই বা তুলে দিলাম।
আপনার যদি পড়াশোনার হ্যাবিট থেকে থাকে, তাহলে এতক্ষনে বুঝে গেছেন যে title-টা লেখার জন্যই এত কিছু লিখতে চলেছি। কিন্তু ভেবে দেখলে, ব্যাপারটা বেশ মজার! আপনারা আমার whatsapp status-এ ইংলিশ-এ লেখা দুটো শব্দ দেখে কি ভাববেন আমি ভালোই জানি; আমার মাথায় শুধু হলুদ আসছে, গেরুয়া না। অদ্ভুত।  আপনি কোন রং দেখতে পাচ্ছেন ?
 এবার আমার স্মৃতি-তে ফেরা যাক। আচ্ছা, যদি আমার কোন বান্ধবীর নাম স্মৃতি হত, তাহলে কি আমি আদৌ এই লেখাটার জন্য সাহস সঞ্চয় করতে পারতাম?
কি ভাবছেন? আপনি তো জানেন না, আদৌ কেউ আছে কিনা; ধরে নিন কিছু একটা। (এমনিও আমায় যথেষ্ট ভালো না বাসলে বা অপছন্দ না করলে, আপনি পড়ছেন না এখন আর । আপনার ব্যস্ততা না বুঝলে কি আর আপনার সময়ে ভাগ চাই !)
স্মৃতির সাথে আমার কবে পরিচয় বলতে পারবো না। বলতে পারবো না তার পরীক্ষা দিতে ভালো লাগতো কিনা, একা থাকতে ভালো লাগে কিনা। হয়তো লাগে, না হলে আস্তে আস্তে এভাবে আমার থেকে নিজেকে গুটিয়ে নিল কেন ?
অবশ্য তার সাথে আর্গুমেন্ট-এ আমি পারবো না; সে বলবে আমিই সামনে তাকিয়েছি তাই এই বিচ্ছেদ। হতে পারে, আর যাই হোক, স্মৃতিকে কিছুতেই সামনে নিয়ে যাওয়া যায় না। আপনি পারবেন? স্মৃতি পেছনেই থাকতে চায়, হয়তো, সেখানেই তার শান্তি; সবাই আনন্দ নিয়ে obsessed নয়।
স্মৃতির চোখ, নাক, ঠোঁটের বর্ণনা দেওয়া খুব একটা সহজ নয়, ভেবে নিন ওই একটা গন্ধের মতো : উগ্র না, মিষ্টিও না, ঠিক খারাপও না; বুঝতে পারছেন? মানে, ওই sweet স্পট-টা : যে গন্ধে মুগ্ধতা নেই, আছে melancholy-র আনন্দের স্বাদ। যদি পেয়ে থাকেন, আপনিও না হয় একটু স্মৃতিচারণ করে নিন।
আরে করে নিন, করে নিন। আপনার স্মৃতি lactogen-এ দুধ রুটি, নাকি রুপোর বাটিতে cerelac-এর আদর, আপনিই বুঝবেন। ও, এগুলো তো আমার স্মৃতি। আপনার মনে আছে cerelac-এর স্বাদ বা lactogen-এর টেবিল-টপ experiment ? আমার বুঝি তখনও ১২ বছর বয়স হয়নি। ২৪-এ যদিও বিছানায় শুয়ে cerelac খেয়েছিলাম এক মাস; তারপর বলা যায় mutual ছাড়াছাড়ি।
স্মৃতি এখন মহিলা সমিতির দায়িত্বে আছে। নিজের কাজ যে সে ভালোই করছে তাতে এখন আমার সন্দেহ নেই।  ন্যাড়া হেডলাইনে বাকি থাকা দুটো চুল চকচকানো স্মৃতির উদ্দেশ্য নয়; গভীরতা তার প্রেম; থাক! হারানো তো আসলে হারানো নয়।
আপনি হায়দ্রাবাদের ইরানী চা খেয়েছেন? শুনুন, কলকাতার নির্মল দার দোকানে যেটা পান, তাতেই মনে করবেন না যে চা-বিশারদ আপনি। সারাদিন ফোটালেই ভালো চা হয়না। আর না হলেই আদা দিয়ে দেবেন, সেটাও দয়া করে ভাববেন না। এখানে চা-এর কথা হচ্ছে, ছোলার ডালের না।
আলাদা করে জলে চা ফুটিয়ে নিতে হয়।  তারপর শুদ্ধ দুধ জ্বাল দেওয়া, আলতো আঁচে; এর সাথে মোম দিয়ে নিজের ধৈর্য গলাতে হবে, আর দুধে মিশিয়ে দিতে হবে। ঘন করুন, আরও ঘন। ওসব ডেমি-ক্রিম femi-ক্রিম দিয়ে এই চা তৈরি হয়না। মোম শেষ হলে মাওয়া যোগ করুন দুধে; ঘন হতে দিন।
এবার সমান পরিমানে চা-এ এই ঘনত্ব মেশানো সূক্ষ আদরের কাজ।
চুমুক দিন। স্মৃতি ইরানী।

এখনও যদি আগে যা মনে এসেছিল সেই চিত্রই ফেরৎ আসে, তাহলে বলে রাখি, lactogen, cerelac, নির্মল দার পাড়ার দোকান হোক, বা হায়দ্রাবাদি দম চা; দুধ না খেলে, আপনার হবে না।

Wednesday, September 9, 2020

স্থান-কাল-চরিত্র

তোমার খেলার কিছুটা অংশে
স্থান পেয়েছি আমি, নিঃশব্দে।
ভাবিনি সে খেলার ব্যাপ্তির কথা
শুরুর দিনে, ঠান্ডা খাবারের মেলা
সাজানো ছিল, তরল শিক্ষা
আর কঠিন কিছু হাতের দোলা।
স্থানের ওপর স্থানের হিসেব
কাল মিলে যায় কাল-আসনে
স্থানের বুকে কালের প্রতিশ্রুতি,
কালের বুকে নীড় বাঁধি কেমনে ?

বস্তুতঃ : Are long-ranged spatial correlations really offsprings of persistence? Or quite the opposite? Does the world boil down to simply looking at a coin, flipping between faces, at Poisson rates?

এভাবে নিজের কবিতার মুন্ডচ্ছেদন করতে কবির হাত কাঁপে না।  নিজের বিষয়ে ভক্ত প্রহ্লাদ হওয়ার মত আহ্লাদ কবিদের থাকে না; থাকে অনুভূতির কাঠগড়া, আর কলম হাতে জল্লাদ হয়ে ওঠার বাসনা।

Monday, September 7, 2020

us and Them

A dying metropolis
Is really a necropolis peeling off its own skin;
Like we all do, individually,
At random, or what we would say, free will,
Until there builds a consensus,
A rather increasing density of the same.
Then, as a slow burn, arrives
A transition, re-entrant and vulgar,
Devoid of isms and ities,
The cycle simply remains eternal.

And if you came looking for hope
Look away, for there is none.
Look even further into the future
Let them know of our failure.



p.s. Wish the world was as Pink as the title.

Sunday, September 6, 2020

পড়ন্ত

বিকেল তো নেমে এসেছিল;
বাড়ির পেছনে, শহরের পশ্চিমে,
ভুট্টা মাঠের পাশে, দিনের শেষে;
যখন আসার, তখনই এসেছিল।

খেলার সাথীদের চোখে প্রশ্নও জেগেছিল,
ক্ষনিকের; তারপর ঘাসের দোলায় সব মিলিয়ে যায়।
আসলে বিকেলের মন খারাপ কেন হয় জানো?
সন্ধ্যে রোজ আসে তার কাছে, গোধূলি আসে না।
স্বার্থপর বিকেল ছবি আঁকতে চায় শুধু,
আর সন্ধ্যের আকুল মুখ আঁধারে ঢেকে যায়।

থাক, বিকেলের প্রেমে আমাদের কি?


Saturday, September 5, 2020

Surfers

 Imagine. Ripples in time,

And us, surfers; sound and light,

Gliding into what we foresee

Only to be driven back, without mercy.

Imagine. Roads within abyss

And hunger relaxing into promise.

Imagine. The symphony backwards.

Imagine. The origin. The afterwards.

If the worlds seem to collide,

Remember the waves, and the laws behind.

And if for continuity, doubts arrive,

Imagine. And bygones will come back to life.


Imagine. Then. Now. Time.

Sunday, August 23, 2020

খেলা

অন্ধকার পাহাড়ী শহরে উজ্জ্বলতার নিচে কিছু রাত আমিও কাটিয়েছি
শীতের শুকনো কাঠ পয়সার বিনিময়ে কিনেছি, পুড়িয়েছি।
নিঃশব্দে থেকেছি, ওপরে চেয়ে;
হাজার হাজার ফুট নিচের কোলাহল আমায় স্পর্শ করতে চেয়েছিল,
চেনাতে চেয়েছিল তাদেরও অস্তিত্বের সাক্ষর, প্রতি রাতের মতো;
অসমাপ্ত উপন্যাস নিয়ে হাহাকার করা মসৃণ হৃদয়ের মতো।
সামনে ছিল দাউ দাউ করে জ্বলতে থাকা প্রাচীন ইতিহাস
আর শব্দ ছিল পেছনের শুকনো কাটগুলোর মৃত্যুর, অমরত্বের।

পৃথিবী, বিশ্ব, হৃদয় - সবই পুড়ছিল তোমার সেই রাতে।
পুড়ছিলাম না শুধু আমি; বাকি সবই পুড়ছে বর্তমানে।

Saturday, August 8, 2020

Lifecycle of a tumour

Nobody knows exactly when
A tumour comes into existence -
The precise moment when
Mutation rears its ugly head;
The body, initially indifferent,
Busy in its everyday chores
Against a few bacteria and viruses,
Remains oblivious to obscenities of future.

The tumour grows, unopposed
Fed by the fuel for ordinary cells,
Encoded with silent underground tactics
Until criticality is achieved.
Then commences a mass movement
Of self cloning; a hysteria too poweful
To resist; a current too smooth for discomfort.

But like all greed under the Sun
The fuel eventually runs out;
And the body breaks down,
Or should I say, breaks itself down?
Then come the desperate therapies,
Chemo, radio, hormone, immuno...
Alas! Transients become the only reality.

Alas! The source, the first mutant cell
Has long gone by now... What remains
Is the aftermath, and a sad demise
Of what we at present call the State.

Friday, August 7, 2020

Absurdities of the night

I was awake tomorrow;
There was only a moon left
As the usual suspect.
A pale, calm footprint of life
Dwarfed by the hammer of time,
Yet, shining of its own might;
I was awake, mildly, in the long night.

I looked around to find familiar stars,
And even a few new constellations;
As I glided through the emptiness
I figured where transients reside.

Would you live in such a bubble with me?
Abstracts and absurdities; notations, fecundity
Where the night isn't how you imagined it to be
And the day, just another forgotten entity.

Does any of this make sense to you?
Or do these, like chocolate, evaporate
Similar to stories on your lover's tongue
As closed eyes never really see the one,
You are hiding from existence tonight.

Oh wait, I just returned from tomorrow
You know, for a transient ...
To feed the ancients, some fossil-rights.

Saturday, August 1, 2020

জন অরণ্য (The Middleman) : Afterthoughts

আবার সময় আসতে চলেছে যখন চাঁদের ওজন, আর কে ছিল রামের বোন , প্রশ্ন-পদাবলীর শীর্ষে স্থান পাবে। ব্যোমকে গেলে হবে না। Science আর Mythology দু-ক্ষেত্রে সঙ্গমিত হতে পারে - দুটো extreme পর্যায়। ১. সমাজ যখন শিক্ষার চূড়ায় থাকে, আর দ্বিতীয়টা না বললেও চলে। গরমকালে পাহাড়ের ওপর থেকে বহুদূর অবধি দেখতে চাইলেও, স্পষ্ট দেখা যায় না। মাটির তাপে দগ্ধ হয়ে গরম হাওয়া তাড়াতাড়ি আকাশে উড়তে চায় (আসলে হাওয়া তো আর জলে ঝাঁপ দিতে শেখেনি); কিন্তু ওপরে থাকা হাওয়া কেন নিজের জায়গা ছেড়ে দেবে? অতএব সেই মিলনক্ষেত্রে দুজনের ঝগড়ায় আমাদের চোখে দিগন্ত ঝাঁপসা হয়ে ওঠে।
এই যে মাঝখানে লড়ে যাওয়া, নিজের সাথেই, নিজেকেই বিবিধ রূপে বিভক্ত করে, এর অস্তিত্ব শুধু দিনের বেলায়ই। রাত নেমে এলে, কোনো দিগন্ত এমনিও দেখা যায় না। তখন পড়ে থাকে নিজেরই সমস্ত রূপের মৃত দেহ। Load-shedding হোক বা না হোক, সিগারেট পুড়ুক বা জীবন, মন - দেশলাই ঠিক জ্বলে চলেছে।

Story-telling-এর grammar অনুযায়ী গল্প কোনদিকে যাচ্ছে তা বুঝে ফেলা যায়। এই বোঝার মধ্যে মেধার তেমন কোনো role নেই। অতএব জন অরণ্যের শুরু থেকেই আমরা জানি ঠিক কি হতে চলেছে। কিন্তু storyteller নির্ণয় করেন কি ভাবে আমরা point A to point B পৌঁছবো। সেটা বাস-এ হতে পারে, ট্রামে বা ট্যাক্সিতেও হতে পারে; আবার পাতালের পথ হয়েও।

আমি শঙ্করের জন অরণ্য পড়িনি। সত্যজিৎ রায়ের গল্পই আমার একমাত্র source . সিনেমার শেষের আধ ঘন্টা দর্শককে উনি tease করেন। দর্শক জানে নদী কোন পথে বইছে। এ এমন নদী, যে মাঝে দু বার বাঁধ দেওয়ার প্রচেষ্টায় আমাদের মনে একটু আশা জাগে; যাক সেই মানুষটা তো না... এর থেকে অন্ততঃ একটা প্রশ্ন তো উঠেই আসে, যে মানুষকে আমরা চিনি না, তার প্রতি আমরা কি আদৌ সহানুভূতিশীল?
যদি না হয়ে থাকি, তাহলে কি সহানুভূতি মিথ্যে sentiment মাত্র? নাকি আমাদের মানুষ হিসেবে কর্তব্য সহানুভূতির গন্ডিটা বাড়ানোর?
কিন্তু কতদূর? নিজেকে মেরে অন্যকে বাঁচানো কি সম্ভব? হ্যাঁ, কিছু মানুষের জন্য হয়তো সম্ভব, কিন্তু আমরা, যারা শুধু পরীক্ষা দিতে শিখেছি, নিজেরটা আদায় করতেই trained হয়েছি, এই আমরা - ভারতীয়, বাঙালী middle -class কি তাহলে আদতে এক একটা middleman / middle-woman নই?

হলেও, জন্ম থেকে কেউই কিছু হয়না। প্রতিকূলতার বিরুদ্ধে রুখে দাঁড়ানো সম্ভব কিনা জানিনা সব সময় , তবে উচিৎ  অবশ্যই। সত্যজিৎ বাবুর সিনেমায় শেষ দৃশ্যে সোমনাথ অন্ধকারে ঢুকে যায় এবং তার আদর্শবাদী বাবা স্বস্থির নিঃস্বাস ন্যান।

মেনে নিতে হয়। সিনেমা শেষ হয়ে যেতে পারে, কিন্তু জীবনে বারবার বিদ্রোহ করা যায়, পরীক্ষা দেওয়া যায়। কেউ ক্লাস 5 এ হাল ছেড়ে দেয়, কেউ তিরিশ পেরোলে।  বাকিরা লড়াই করে যায়।

Tuesday, July 28, 2020

আমার নিশীথ রাতের বাদলধারা - Deconstruction

রুপোকাঠি  : What follows is not a translation of the wonderful composition, but a conversation (or at least a prelude to the same) that the writer longs for with the Poet. আমার নিশীথ রাতের বাদলধারা is a haunting eulogy to innocence, and a desperate prayer to Simplicity ...

আমার নিশীথ রাতের বাদলধারা
এসো হে, গোপনে, আমার স্বপনলোকে দিশাহারা
Deep into the night, when the world sleeps, imagine that the pale silence wakes up to the symphony of a short shower burst. No one, but the poet feels the union of sound with silence, the eternal with epoch, life with elements. The shower arrives in stealth, not by its own volition; but by society's fixation with rules. One who is awake, dreams in full faculty of his/her senses. The prayer is for the raindrops to diffuse all along the surreal, yet physical world.

অন্ধকারের অন্তরধন, দাও ঢেকে মোর পরাণ মন
আমি চাইনে তপন, চাইনে তারা

Something that hides itself, deep within the secret chambers of the mind; eternal, pure, and sensitive. There's a longing for it to reveal itself, and yet be invisible; a playfulness that only the bearer shares with the confined; It's so real that in this melancholic drenched night the poet despises warmth; and let there for once, not be Light.

যখন সবাই মগন ঘুমের ঘোরে 
নিয়ো গো, আমার ঘুম নিয়ো গো হরণ করে

A prayer to the Divine. It's a holiday. Each child is busy disengaging from studies, barring one. The one, who plans to study more on this particular day. There's a belief, that belongs to only one person. Eternity in quanta of epochs.

একলা ঘরে চুপে চুপে, এসো কেবল সুরের রূপে
দিয়ো গো, আমার চোখের জলে দিয়ো সাড়া।

There's no one in this lonely existence for even a tiny fruitful conversation. There's time; uni-polar and un-involved. But then there's music too, one of those rare uncertain waves of serenity, that binds itself with time. In this union, may be there rests a small fragment of hope.
There is no midnight, there is no courtyard. The Divine plays his flute along the Poet's tempestuous saddle as his existence gallops ahead; the terrain being the uneven contours of his face, towards the soul; and away from it all.

Sunday, July 26, 2020

টাইমিং

যা দেখি, সবেতেই শুধু দুঃখ দুঃখ দুঃখ
বাজার ভর্তি আবিরের রঙেও কি দুঃখ?
নাকি ঠুঁসে ভরে আছে আমাদেরই ভেতর?
আর আনন্দ? কাউকে ছোট না করে, পাওয়া যায়?
বাজারে তো নেই, এই যে দুপুরের বাজারে;
ভোরবেলায় কি পাওয়া যায় তা অবশ্য জানা নেই
তখন তো চোখ আধ-বন্ধ করেও দুঃখ দেখি।
কিন্তু ঘুমাতে যাওয়ার কিছু আগে?
তখন তো মাঝ রাত্রেও এক চিলতে রোদ ঘরে ঢোকে
আসলে, বিখ্যাত অভিনেতারা বলেছেন না,
কমেডির একনিষ্ঠ মূলে আছে কেবল টাইমিং;
সময় কে বুঝতে শিখলে হয়তো আনন্দও উঁকি দিয়ে যায় ...

Thursday, July 23, 2020

Voids

I stare into the void
Every now and then
And I'm reminded
Of every other moment.
A few strokes, here and there
Uneven, or even rare
Like the silence of a noon
Sliced by those blunt tyres.
And distant birds, cooing,
Spiralling into nowhere.

I stare into the void;
Those well known eyes
Which do have depth
But nothing else to share.

Wednesday, July 22, 2020

Twilights

I only have a short story to tell
Of a few lost footsteps,
And trapped raindrops
Along cobbled streets;
Vibrating in the bustle
And reflecting the what-ifs within;

And of those pairs of eyes
Lost forever in shades of twilight.

Of a city overwhelmed in pride
Of a story, dropped and intertwined.

Sunday, July 12, 2020

পরম

যে শূন্যের কোনো অস্তিত্ব ছিল না,
সত্যিই কি ছিল না?
হে চিরনবীন, কোথায় লুকিয়েছ তোমার রূপ?
নিজেকে ভেঙেছ অসংখ্যে কতবার?
তোমার থেকে সবের শুরু, তোমার শুরু কোথায়?
আদৌ কি তোমার শুরু বলে কিছু হয়?
এই খোঁজা কি শুধুই মানুষের জেলখানা নয়?
আর যদি তোমার শেষ নাই থেকে থাকে

 তুমিও কি কারোর অসমাপ্ত এক অঙ্ক?
আচ্ছা, তুমিও কি আদতে বড় নিঃসঙ্গ?

আদৌ এক ছাড়া আর কি কিছু আছে?
সব বহুর মূলে তো দুই শুয়ে আছে,
দুই-এর সৃষ্টি কেন করেছিলে, মনে আছে?
তুমিই পরম সত্য। আমি তোমারই।

Friday, July 3, 2020

Devi-Chandraguptam : a re-telling

The stallion Abhimanyu sped through the banks of the Kshipra, along the uneven terrain, as if intoxicated by the atmosphere. Its rider, a radiant youth of twenty one, steadied his muscles with the steely determination that had consumed him over the past few days. His crimson eyes bore testimony not only to the passing gusts of wind, but also to the rage within. As the rocky shores led to a canopy of teak and sishoo trees, the pillars of Ujjain showed themselves off from afar. This only made Chandragupta kick his ride further into momentum.

                    Chapter I : The war council, Pataliputra

"This is slander!", exclaimed Veersena.
Chandragupta was silent, careful to not show his emotions.
"The Kshatraps are speading these lies purposefully, my Lord", Veersena continued, "Our King might have been defeated but he can never say such a thing!"
"I agree, my Lord", added Svamidasa, "The Kshatraps are apostates! One can expect them to reach down to these levels."
"Nevertheless, the royal bloodline has been insulted", interjected Amrakardava, the chief of military.
"We need to respond carefully, my Lord. They would like us to do something hasty," cautioned Veersena.

"My brother rots in those cells," spoke Chandragupta.

Silence hung over the war council that included the crown prince, the chief of military, the minister of coins and the Prime Minister.

"The first born of Samudragupta, the Emperor of emperors, Ramagupta Prachanda rots in enemy cells, captured by that nomad," Chandragupta
continued slowly. "The legacy of Chandragupta and Samudragupta remains confined within walls of Rudrasimha's arrogance."

"My Lord, we will avenge every ounce of this insult, in kind," interjected Amrakardava.

Chandragupta looked at him, "Would you now, Chief? With the death of your predecessor the empire would certainly love to lean on your shoulders. But can you erase the stain that it has left on my family?"

Amrakardava fell silent.

Chandragupta continued, "The audacity of Rudrasimha intrigues me! Can my trusted council not comprehend what His Highness' subjects might be saying today? Their King has been captured and now held ransom, not for the empire but for the Queen!", the crown prince thundered!

He turned to Veersena, the Prime Minister, "Lord Veersena, has the news reached Her Highness?"

Veersena nodded, "Her Majesty has requested for a meeting with you, My Lord."

"Kindly send her in." Chandragupta dismissed the council.

Dhruvadevi, a woman of sixteen walked into the war room. A yellow angvastram caressed her slender frame. The queen had a sharp face, enlightened by sparkling eyes, high cheek bones and wide lips.
She stood right in front of Chandragupta, "My Lord, has this become of the great Chandragupta's empire? The King being bargained for the queen, how much humiliation has to be enough for you to rise up to the name of your grandfather?"

"We will leave for Ujjain in a fortnight, Your Grace," replied Chandragupta. "The exchange is supposed to take place in the city. Brother Ramagupta would be brought from Bharukachchha by Yasodaman, Rudrasimha's brother. Rudrasimha has demanded that I bring you to Ujjain in person. However, I need not be present at the exchange."

"So you are supposed to parade me through the empire and bring your King back along the same path," Dhruvadevi smiled scornfully.

Chandragupta remained silent.

Dhruvadevi added, "Let me know what role I still need to play for this empire."

Chandragupta looked at her. "The role of a queen," He said, bowed and left.

                                        Chapter II : Ujjain

Thousands of people gathered on the streets of Pataliputra in shock to witness the desperation of the royal family. Who could believe that the lineage of the great rulers Chandragupta and Samudragupta would turn out to be so meek! Some even suspected a coup waiting to happen on the family. But more than anything, the people were interested to catch a glimpse of Dhruvadevi, whose raging beauty had been a matter of pride for the mass. Countless indoor debates took place about her origin. But the only consensus seemed to be on her appearance.

It was announced as part of the peace pact, that Chandragupta would lead the queen's convoy to Ujjain. The queen would be allowed a last dignified passage through her empire. Once in Ujjain, Chandragupta would have the license to not be present at the exchange. This was argued by Rudrasimha to be an act of courtesy towards the royal bloodline, and a token of future friendship with the Guptas. A long standing war between the Guptas and the Kshatraps could never be a good idea for either empire.

The Guptas were expansionists, ever since the times of Chandragupta I, the grand father of Ramagupta and the founder of the dynasty. With the most formidable military of the era, it was a shocking defeat for Ramagupta, and an equally shocking victory for Rudrasimha. When Ramagupta began his western conquest, Rudrasimha's council had already started making plans for a face-saving surrender. It was only because of the surprising efficiency of a few Kshatrap spies, that the Gupta army was caught off-guard in Ujjain and had led to the lucky capture of Ramagupta, who was then brought to Bharukachchha, the capital of the Kshatraps. Even before the Kshatraps could realize the enormity of their victory, Ramagupta's council had requested for a shocking bargain. They requested the release of the King in exchange for his queen.

Although Dhruvadevi's beauty had radiated to the western banks of this ancient land, rulers through histroy have generally been accustomed to caution. Rudrasimha, thus still unable to believe Ramagupta's cowardice, agreed to his peace proposal, on the pretext that the proposal be then sent to Pataliputra with Ramagupta's seal.

For the Gupta aristocracy this came as a double shock. First, before the battle took place, Ujjain, a vassal of the Kshatraps, seemed to have been aligning with the Guptas over the years. The battle, which was supposed to take place beyond the western borders of Ujjain, arrived prematurely for Ramagupta within the city gates, where the Kshatrap army was already waiting.
In Pataliputa, there was confusion whether Ujjain had turned on their King. But even before these doubts could be settled, the peace letter came from Rudrasimha, approved by Ramagupta.

Pataliputra was divided between two competing opinions : one, where the argument was to bring back the King and avenge this humiliation later, in kind. Two, (in hushed tones) that this was the end of the Gupta empire and a bloody coup awaited the royal family.

The decision, however, lay with Chandragupta, the crown prince. There seemed to be enough faith of the aristocrats in the dynasty and this defeat seemed largely to be a one-off incident. Nevertheless, Ramagupta's cowardice had become the talk of every household.

Chandragupta had decided to lead Dhruvadevi's convoy in Pataliputra but was seething within. The Kshatraps had never given in to the Gupta demands. This arrogance partly stemmed from the fact that their center of power resided on the western shore, far away from Pataliputra. Even though there were skirmishes aplenty during Samudragupta's rule, no convincing victory was won by either side. The Guptas then tried a strangling strategy. Their own expansionist reputation had made the proximal kingdoms fearful of the empire. This fear was leveraged by the Guptas to gain economic footprints into smaller kingdoms of Sanchi, Kashi and even vassals of the Kshatraps like Ujjain. Chandragupta knew that time was ripe for the Guptas to lay a siege and to eradicate the Kshatraps. He had convinced his brother of this idea who was more than willing to come out of the shadow of their great father. What had infact happened at Ujjain, was no doubt an unexpected result.

The stallion Abhimanyu sped through the banks of the Kshipra, along the uneven terrain, as if intoxicated by the atmosphere. Its rider, a radiant youth of twenty one, steadied his muscles with the steely determination that had consumed him over the past few days. His crimson eyes bore testimony not only to the passing gusts of wind, but also to the rage within. As the rocky shores led to a canopy of teak and sishoo trees, the pillars of Ujjain showed themselves off from afar. This only made Chandragupta kick his ride further into momentum.

Yasodaman had sent the Prime Minister of Ujjain to receive the Gupta queen and the crown prince. Arrangements were made at the guest palace situated near the city gates to welcome the Gupta royalty. It was understood that Chandragupta would leave Ujjain, once the queen had reached the guest palace. Within Ujjain, there would be no need for Chandragupta to accompany the queen during the exchange.

Chandragupta mounted into Ujjain wearing a yellow turban and a gold-lined blue angvastram, studded with pearls. The whole city of Ujjain drank in his majestic attire with awe. He was a lean young man, confident on his mount, and his dress gleefully accepting the onlookers' captivation. He rode straight upto the guest palace, ignoring the Prime Minister at the gates. There was no need for pleasantries on this day. He dismounted and walked into the palace as the convoy arrived at the city gates. Before the queen arrived, it fell on him to ensure the safety of these walls. As he stepped inside each wing of the building, his guards ordered all maids to leave the palace. He would wait for the queen to arrive and then leave to end this humiliation. Later, Dhruvadevi's palanquin shall leave the guest palace for the Royal palace of Ujjain after nightfall.

For dwellers of Ujjain waiting at the city gates, however, there was disappointment. The queen's palanquin went straight into the guest palace and her beauty only remained a myth to all present. Dhruvadevi had also rebuffed the Prime Minister's welcome and had ordered her convoy to head straight to the guest palace. No doubt, the Gupta Royalty had had enough of this indignation. As soon as the queen's palanquin went inside the palace, Chandragupta strode out of its gates. For everyone it was clear that the majestic Gupta crown prince could not handle this shame anymore. He strode up to his horse, and angrily kicked it into motion! This was an even more exciting sight for the Ujjain citizens. They were being witness to the end of the mighty Guptas! So much for their hefty claims about the future!

Abhimanyu rode away from the commoner's gaze, far from Ujjain's suffocating air, with the glowing yellow turban and gold-lined, pearl studded angvastram, of its rider carrying one last ray into the descending darkness.


                                   Chapter III : The Exchange 

Dhruvadevi's palanquin arrived at the gates of the Ujjain Royal palace accompanied by five thousand of her subjects. It was such a national shame, that many citizens supposedly wanted to show their allegiance to the royal family, and joined her exodus. To save her from further embarrassment, Dhruvadevi was exempt from stepping out of her palanquin in public. The carriers took the palanquin inside the central chamber where Yasodaman waited alongside Ramagupta. Once inside, except for the three royals, everyone esle was asked to leave. History has never really been a royal insider.

Yosodaman stood up and walked upto the palanquin. He bowed, "If you could kindly step out, Your Grace.." and extended his hand. Dhruvadevi walked out from the other side of the palanquin, ignoring Yosodaman, her face and body fully covered. She was a queen, not a slave. Even in exchange, she was supposed to retain her status!

Yosodaman quenched his injured ego as he spoke to Ramagupta, "O Mighty King, you are now free to rule your land!"

Ramagupta who was silent all this while spoke up in rage. But he did not address Yasodaman. His rage fell on Dhruvadevi, "You cunt of a woman! How dare you conspire with my brother like this? Whore! I would have cut you and that scheming, devious brother of mine in half if I could! Did you not for once think of my father, the great Samudragupta who had been so kind to you? Could you not even consume poison when you heard of this illicit pact?"

Dhruvadevi stood silent. Yasodaman butted in, "Dear King, you would do well to remember that you are now speaking to the queen of the Kshatraps."

Ramagupta looked at him with disdain, "You should have killed me on the field! History will never forgive you for what you have done. Neither will it forgive Chandra and this slut!"

Yasodaman enquired, "I wonder what the purpose of this fake rage is, my King. The terms of your surrender were discussed with your council before being approved with your stamp. Although, it is shocking to be honest that Chandragupta decided to respect your treaty!"

Ramagupta bellowed, "Lies! You scoundrels have tarnished my image after I was betrayed by my own men in battle! And now these lies! And this whore!"
With Yasodaman smirking, Ramagupta strode up to Dhruvadevi and slapped her across the face.The face cover flew away only to reveal Chandragupta underneath. Even before either Ramagupta or Yasodaman could react, a dagger went inside Ramagupta twice as he fell flat on the ground. A shocked Yasodaman was hardly back into his senses when Chandragupta held him by the collar and brought him out of the chamber. All his personal guards had been killed as Gupta soldiers stood tall, dressed in civilian clothes. The Kshatraps had never noticed that a coup had taken place in Ujjain.

Chandragupta spoke slowly, "Never again should the world dare to look a Gupta in the eye."

Yasodaman surrendered to his fate, "You played us all along."

Chandragupta added, "You captured our King. You dared to insult our Queen. One can safely say, you have done enough to be remembered in History."

Yasodaman smiled, "Your King's council came to us with the peace terms. And now you have killed Him. All I can say is that the coup didn't take place today."

Chandragupta carefully let the dagger go deep into Yasodaman's stomach, as the vanquished's life exited through his last shriek. Chandragupta let his royal dagger rest on Yasodaman.

Chandragupta II went on to become one of ancient India's greatest emperors (380-415 CE). He obliterated the western Kshatrap empire, whose last ruler was Rudrasimha III. Chandragupta married Dhruvadevi. Their son Kumaragupta, who succeded him to the throne was the founder of Nalanda. Chandragupta II, who was named after Chandragupta I, the founder of the Gupta dynasty, later took the name Vikramaditya. He moved his capital from Pataliputra to Ujjain.

This story is a re-telling of Vishakhadatta's Devi-Chandraguptam.

Author's note : History is ambiguous regarding Ramagupta. While Chandragupta I and Samudragupta's times are well recorded, the mystery surrounding Ramagupta is more than intriguing. In this re-telling of a sort, I have only tried to ignite curiosity about ancient India's probably most well documented era. When we look at History, our modern glasses acquire colours beyond the Seven. My hope is, this small piece will make you revisit aspects of our past - which, I have always found to be alive, and stirring in its grave.
Also to clarify my preference, I never shy away from letting the reader make his/her own conclusion. If you have doubts regarding the politics of the story, I am of the belief that all answers are already buried between the lines. Happy hunting!
To add a final disclaimer, this is a story of fiction, with deviations even from its inspiration, and like every chapter of History, should be read with a cynic eyebrow.

Tuesday, June 23, 2020

Dimensions

If I write what I see, what I feel
How many dimensions would I kill?

Dimensions, what are these really?
Figments of human imagination
But as complex, as reality is.

Do I close my eyes to see them?
Or should I only loosen my wrist?
Should I touch, or should I breathe?
Should I lie down on a rocky shore,
With a Sunset, a little out of reach?

Sunday, June 21, 2020

Tropic of Cancer

There was once a Nawab; Siraj ud-Daulah, he was called. A man of expensive blood, the living wanted him gone. Such spectacular was his fall that satellites entered the halls.

The rest, is the future for one and all.

Sunday, June 7, 2020

অনুভূতি

কিছুই যদি অনুভব না করি,
তাহলে কি? 
বন্ধুত্ব, প্রেম, আনন্দ, হতাশা -
তাহলে কি আমায় অদ্ভুত বলবে?
বললেই বা।
আমার তো কিছুই অদ্ভুত লাগে না আর।
তোমায়ও না।
তাই গল্পের ভাঁজে হাতড়ে বেড়াই না ইদানিং
রসগোল্লা, মেঘমল্লার সব এক হয়ে গেছে।

লেপের ভেতর চোখ খুললেও তো সেই অন্ধকার।
যে অন্ধকারে মূক মহাজগতের শব্দ শুনতে পায় ।।

Saturday, June 6, 2020

Let it be.

I am alive.
I am rich. I have food.
I have clothes. I have books.
I have wants, and I have water
I have words and a shelter.
I have education. I have time.
I have fantasies. And rights.
I have. What you could never find.
I have choices.
And you aren't even alive.

170 and counting: Migrant workers killed by the lockdown

I have saved few drops
For pineapples and shrines.
For even though it doesn't
I need to make humanity rhyme.
For even though I'm elite
I can't show what I hide.

India let 65 lakh tonnes of grain go to waste in four months, even as the poor went hungry


"Let it be, let it be
Let it be, yeah, let it be
Whisper words of wisdom, let it be."

বন্ধু

 ভোর-রাতে, নিঃশব্দে সময় এসেছিল পাশে  জীবনের কিছু ক্ষণ নিয়ে অণুবীক্ষণ যন্ত্রে । হাতে হাত, পুরোনো দুই বন্ধুর দেখা বহুদিন পর; হঠাৎ করেই খুঁজে...